Lady Love: 2 Reasons Peggy Olson is the Cat’s Pajamas
Well hello there. We’re off to the races with another Lady Love post because we all need a little motivation during the summer months. Especially when some mornings, the alarm is your arch nemesis. Especially if you walked out of the house wearing two different shoes.
Adulting is tough, y’all.
So for those who have been snoozing beneath a rock or another heavy object, Peggy Olson is one of the main characters (the main character? Ah, now there’s an argument) on AMC’s uber popular show, Mad Men. The show’s about a glamorous advertising agency filled with exciting clients and unstoppable people brimming with business acumen…oh yeah and alcoholism, depression, addiction, infidelity, and egregious, never-ending sexism toward women each time they try and, you know, use their brains. Peggy Olson goes from a meek lil’ secretary to a BAMF copy editor with her own money, her own office, and her own set of lucrative clients…in the 1960s…when women were basically seen as shiny, skirted baby making housemaids without the capability of having ideas.
Wherever Peggy goes, the tunes of Destiny’s Child plays faintly in the background.
So because inspiration is good and showing some lady love is better, here are 2 reasons why copying my girl Pegs is a good idea.
She has Confidence
Peggy knows what she’s worth. She understands her value and her talent and she doesn’t shy away or demur from her successes. This wasn’t really the case in the beginning of the show, but soon after taking a job as a secretary it becomes evident that Peggy has a good case of the believesinherself.
Even though we live in a time where women are kicking butt and taking names, I think it’s so easy to fall silent when someone asks “Who wrote this?” or “Who made this happen?” It’s so easy to strive for being liked. Make no mistake, this happens with men, too, but it happens way more with ze lay-deez. As a lay-dee, I would know. Though being a total toolbag is not something for which I advocate, I think being likable will only get you so far.
This is such a difficult concept for a born again, recovering people pleaser, but the older I get the more I realize this. Being liked is nice, it’s comfortable, and sometimes, it’s necessary. Heck, everyone wants to be liked! From childhood we are taught to make friends and play nice, but the kind of like-driven striving I’m vying against is the kind that comes at a price. Because y’all, there’s a big difference between being liked and being respected. I think we owe it to the world to be kind and selfless; however, when we sell our souls and our futures at the altar of people pleasing (maybe a little dramatic?), the next thing you know you’ve forgotten who you are and what you’re worth in the process. For example, you may be a super capable employee, but out of fear of standing out or showing off, you hide, you put your head down, you keep your mouth shut.
This is no bueno.
Peggy is a fabulous illustration of this because there are many times over the course of the show when her coworkers, friends, and family don’t really like her. Her family thinks she’s too wild, her coworkers think she’s too ambitious, her friends think she’s too busy, but when copy needs to be written you can bet they call Peggy. Peggy understands her worth; by season 7 she walks into her office with purpose and swagger. It’s her confidence that allows her to be seen, and then, respected…and then RICH. (muahahaha)
She’s Willing to Change
The Peggy from episode 1 of Mad Men is most definitely not the confident, talented Peggy at the end of the show. Yes, the culture around Peggy shifts and moves, but Peggy changes, too. Her wide eyes grow harder, more astute, and through her experiences with Don Draper, Joan, Pete Campbell (what a twisted, perfect friendship) Sterling Cooper (then Sterling Cooper Draper Pryce, then SCDP Cutler Gleason & Chaough, then SCDP and Partners…whew) she grows. Over the course of the show it’s evident that Peggy is a good person and that stays true, but she definitely transforms; there’s a very obvious arc to her character.
Peggy is open to change. She’s willing to see when she’s wrong, when she isn’t giving herself enough credit, when she trusts too much (or not enough) and she learns from it and adapts. Let’s not forget Peggy was the one who both (briefly!) doted on Don as his secretary and later became his rock, saving him with tough love and empathy on numerous occasions. If she wasn’t willing to change, to see both Don and herself through a new lens, their relationship wouldn’t be what it was at the end of the show.
The show itself is obsessed with change. Changing identities, changing marriages, changing jobs, changing fashion (I die for the 70s fashion), and I think Peggy’s strength comes from that change. NPR agrees with me on this!
The show’s main fascination, of course, is change: whether it’s possible, what it does to people, and who pays the price for it. Holmes, NPR
In Mad Men, if you don’t change, you get left behind. We see this with Betty (poor, poor Betty) and Rodger, at times. Seeing Peggy successfully navigate life’s many shifts and shift with them is liberating. She chameleons her way to the top,and it’s awesome. I mean the cigarette smoking, dirty painting wheeling, late for work Peggy that saunters into her new job is not the same little mouse that squeaked into Don’s office in episode one.
It’s kind of nice knowing I’m not expected to be exactly the same person for the rest of my life, because, you know, the shoe incident of 2015 was pretty embarrassing.